Littlepace says ‘No’ to N3 noise

"It is an unpalatable fact, in light of the severity of the crisis, that repossessions must be expected to rise significantly." These were the chilling words uttered by the Deputy Governor of the Central Bank, Matthew Elderfield. He wasn’t speaking about luxury cars that some people may have bought and couldn’t keep up their repayments when their wages were cut or they lost their jobs. He was talking about people’s homes, the roof over their heads, the refuge where they and their families find respite when everything else – income, jobs, their children’s welfare – might be crashing around them due to the economic crisis.

The depiction of a deranged dystopian realm is not an un familiar one to cinema goers. Last year there was the chilling Never Let Me Go with Kiera Knightly and Carey Mulligan, and the re-discovery of V for Vendetta (2006) by the “Indignados” and “Occupy” protesters. The Hunger Games, a film adaption of the first novel of a bestselling teenage trilogy by Suzanne Collins, in that sense is not groundbreaking or exceptional. However, with the captivating appeal of its feisty heroine, Katniss Everdeen, played with subtlety and intelligence by Jennifer Lawrence, and its portrayal of themes such as extreme inequality, lack of democracy, dictatorship, the depravity of the tabloid media and reality television that echo many of the themes of the ‘Occupy’ movement, mean that ‘Hunger Games’  packs quite a punch.